(no subject)
Mar. 16th, 2004 12:44 amOK, so the "More Human than Human" thing I was talking about yesterday was that some people find that song quite sexy. A few months ago I was talking with a friend who said that "More Human than Human" reminded her of sex--to the extent that it actually sounded like sex. I thought it was pretty strange because I'd never associated White Zombie with anything remotely sexy. But yesterday I was re-reading Fargo Rock City for some reason, and Chuck Klosterman had this to say: "So what makes for a good sex song? That depends on whom you ask. I recall having a heated argument with a woman over what made for better sex music: White Zombie or Yanni. In my mind, 'More Human Than Human' is very sexy; I actually think it sounds like sex."
Strange. Maybe that explains all the woo girls in attendance at the White Zombie show I saw in '94.
One of the reasons I picked up Fargo Rock City again was to see if it would bug me as much as the first time I read it. And the answer is yes. The worst part about the book is that the author is laboring under the misconception that Warrant, Def Leppard, Faster Pussycat, and Poison are metal bands. To me, they're just not. (I guess Def Leppard mighta been for a few minutes.) Also, he doesn't seem to get real metal. For instance, he talks about how Iron Maiden is impossible to sing along with. Dude obviously never hung out with anyone like me and my friends in high school. You haven't lived till you've sped down a gravel road in a station wagon full of headbangers all singing, "In a tiiiiiiime, when dinosaurs walked the e-ar-arth, in an age when prized possession was f-i-ire!" I mean, come on! "Wasted Years"! ""Run to the Hills"! "Powerslave"! You could just about pick any song--they're all great sing-alongs! And it doesn't end there. In talking about Danzig, he mentions Glenn's earlier bands the Misfits and Samhain as musically inept acts who sang mainly about raping babies and killing children. I suspect his only contact with either of those two bands came from Metallica's version of "Last Caress/Green Hell." Stupid-ass. Sure, they sang about killing babies and raping children, but they also addressed such important subjects as astro zombies, devil's whorehouses, and Nike. And yeah, they weren't exactly virtuoso musicians, but FUCK those were some good songs.
And then there's this statement about a Slayer show he covered in 1998: "Frontman Tom Araya was delivering some fairly moronic between-song banter, and I honestly wasn't listening. Suddenly, Araya screams, 'It's raining . . . blood!," which (obviously) meant they were going to perform 'Raining Blood,' the last track off 1986's Reign in Blood, widely considered the greatest death metal album ever recorded. I don't know what makes Reign in Blood a higher artistic achievement than any other death metal LP (or even what makes it better than any other Slayer LP), but I don't have any argument against it either. I'll take Ira Robbins' word for it."
Now, granted, Slayer's not for everyone. But to write a book ostensibly about heavy metal and have no earthly idea what makes Reign in Blood (or Slayer in general) special just blows my mind. That album's perfect. Oh, and it ain't even death metal.
I think I had more to say about this, but I should get to bed. I only got 16 hours of sleep last night, ya know.
Strange. Maybe that explains all the woo girls in attendance at the White Zombie show I saw in '94.
One of the reasons I picked up Fargo Rock City again was to see if it would bug me as much as the first time I read it. And the answer is yes. The worst part about the book is that the author is laboring under the misconception that Warrant, Def Leppard, Faster Pussycat, and Poison are metal bands. To me, they're just not. (I guess Def Leppard mighta been for a few minutes.) Also, he doesn't seem to get real metal. For instance, he talks about how Iron Maiden is impossible to sing along with. Dude obviously never hung out with anyone like me and my friends in high school. You haven't lived till you've sped down a gravel road in a station wagon full of headbangers all singing, "In a tiiiiiiime, when dinosaurs walked the e-ar-arth, in an age when prized possession was f-i-ire!" I mean, come on! "Wasted Years"! ""Run to the Hills"! "Powerslave"! You could just about pick any song--they're all great sing-alongs! And it doesn't end there. In talking about Danzig, he mentions Glenn's earlier bands the Misfits and Samhain as musically inept acts who sang mainly about raping babies and killing children. I suspect his only contact with either of those two bands came from Metallica's version of "Last Caress/Green Hell." Stupid-ass. Sure, they sang about killing babies and raping children, but they also addressed such important subjects as astro zombies, devil's whorehouses, and Nike. And yeah, they weren't exactly virtuoso musicians, but FUCK those were some good songs.
And then there's this statement about a Slayer show he covered in 1998: "Frontman Tom Araya was delivering some fairly moronic between-song banter, and I honestly wasn't listening. Suddenly, Araya screams, 'It's raining . . . blood!," which (obviously) meant they were going to perform 'Raining Blood,' the last track off 1986's Reign in Blood, widely considered the greatest death metal album ever recorded. I don't know what makes Reign in Blood a higher artistic achievement than any other death metal LP (or even what makes it better than any other Slayer LP), but I don't have any argument against it either. I'll take Ira Robbins' word for it."
Now, granted, Slayer's not for everyone. But to write a book ostensibly about heavy metal and have no earthly idea what makes Reign in Blood (or Slayer in general) special just blows my mind. That album's perfect. Oh, and it ain't even death metal.
I think I had more to say about this, but I should get to bed. I only got 16 hours of sleep last night, ya know.